Christian Cowpunk and the Queercore Explosion! Glen Meadmore Talks Toxic!

Glen Meadmore boasts a career that spans a broad stylistic collection of media. Be it film, music or performance art, Meadmore has embodied the availabalist technique of drag in both his solo and collaborative career with such luminaries as Vaginal Davis (as part of Queercore legends, Pedro Muriel and Esther) and worked with recording legend Steve Albini. Read on as we talk serial killers, punk notoriety and performance art…

Dis) So, Glen, you got your start as bassist/vocalist of Winnipeg based punk group, the Psychiatrists. How do you view the Canadian scene – it has been commented that at the time, there was only disparate activity for alternative culture in Canada – would you agree with this?

Glen Meadmore)  I don’t really know much about the Canadian scene or any music scene for that matter. I’m pretty much a hermit and live in a cultural void.

Limbo lounge 85-86

D) Your move to Los Angeles saw you teaming up with queercore poster girl, Vaginal Davis, forming Pedro, Muriel & Esther. This signified the beginning of an incredibly fertile and creative period for yourself and your contemporaries. Can you tell us a little about performing with PME and your involvement with the burgeoning queercore scene…

Spew with Glen and Vag

G)  I met Vaginal on the steps of the anticlub a venue we both performed at . At the time I could tell we were kinderd spirits. PME didnt come until several years later. he wanted me to play guitar behind his poetry and I thought it would be a good idea to form a band. I didnt know anything about queercore. I still dont know much about it except the term. As i’ve said I am pretty out of the music scene.

D) I believe at this point as well, that RuPaul was also working with yourselves, are you still in contact with Ms. Paul and how do you view your time working together…

G) I met Ru while performing at the limbo lounge in west hollywood. We would later perform together at club rio in atlanta and later with vag  at the pyramid in ny. Ru and I hadnt spoken for many years till last year he invited me to chat with him in the dressing room of his tv show. He is very ambitious. 

D) Drag, particularly ‘outsider’ or what could be termed ‘availabalist’ drag, became a great vehicle for you during this time as represented in your videos from the ‘Squaw Bread’/’Chicken and Biscuits’ period of your solo career. What about drag, particularly this style, appealed/appeals to you?

G) When I first started doing drag it was mainly just to get attention walking down the street. I would just throw on any old dress without makeup etc. very frumpy. Later in performance I would try for an asexual minimalist look. usually all black sometimes just a body sleeve with no arms so I had restricted arm movement. Later a simple black t shirt form fitting dress. Later a black body suit and later pink spandex and a pink sequin  body suit. minimalist makeup usually just foundation black eyeshadow and red or pink lipstick. My smokey eye look was inspired by Serge Luten. my looks after that were very spontaneous i wore a large plastic sheet I found on the street etc. or some black fabric I found which I fashioned into a burka. later my friend collaborator Jim van Tyne would design and make elaborate outfits for me.

D) You’ve been credited, with creating the genre of ‘Christian-new-wave-country-punk’ – what a mouthful! – blending bluegrass with DIY punk and synth. What drove you to combine this unusual melange?

G) When I started doing music it was spontaneous also. I had given up guitar and started playing synth and was interested in disco and repetition but wanted it to be demented. I liked things that broke rules. Later I got back into guitar and thought I might be able to do something with country music which I found corny and thought if I thought it might be interesting to pervert it in some way. I use the term christian loosely as i’m more of a spritualist. There are some christian ethics I find appealing.

D) Aes-Nihil recently added videos from your early period to YouTube and I believe still distributes a number of films and albums of yours. ‘No Money, No Honey’ for instance, features Ms. Davis again, how do you characterise your relationship with each other and the work you’ve produced?

G) Vaginal is a dear sweet soul and we are of a like mind, so working together comes naturally.

D) The video for ‘Do Me’ featured a risqué performance during which you performed a hyper-acidic and cartoonlike black face character being hired by a suspicious, suburban couple to keep house for them. What drove you to create this character and employ this imagery?

G)  The video for ‘Do Me’ was a video created by ken camp . the look was one i put together for performing. like i say all my creativity comes spontaneously not much planning. What can I say, I was possessed!

D) Your third album, ‘Boned’ dropped the synth element of your sound in favour of a more aggressive ‘Grunge’ flavour, what was your reason for this diversifying of your sound?

Wearing a Rick Castro bodysuit

G)  ‘Boned’ was the album where I first got the band together. I think it was recorded right after the band was formed and the songs were thrown together and not rehearsed much if at all. Which is how we usually work.

D) Advancing further, your next record, the acclaimed, ‘Hot, Horny and Born Again’ garnered your inclusion on the soundtrack for Bruce LaBruce’s ‘Hustler White’, did you have a pre-existing relationship with Bruce through the Homocore association?

G) I dont think I knew Bruce before the film but I did know the girls from fifth column (GB Jones et al.) and the boys from shadowy men

D) I’ve heard that songs from this album are to be included in a compilation record entitled ‘Queercore Explosion’. What’s your reaction to being canonised within this cultural frame?

G)  I dont know about the queercore explosion but I’m all for being canonized

D) Returning to ‘Hot, Horny…’ it would be remiss of me to overlook the cover art, created by infamous serial killer, John Wayne Gacy. What lead you to contact Gacy and, further to this, include his artwork in your release?

Cover by Gacy

Cover by Gacy

G)  I had heard that Gacy did commissions so I wrote to him and he agreed to my portrait. I have 4 altogether based on photos Rick Castro took of me.  I suppose I was interested because I was curious about how the criminal mind would interpret art . Also being able to talk to Gacy a few times I was able to get a glimpse inside the personality of a murderer. He seemed like an average guy. Nothing unusual at all.

D) After a long hiatus, PME returned in 1998 on the Spectra Music label with ‘The White to be Angry!’ which featured a sardonic VD proclaiming herself a white heterosexual male and keeper of all societal privilege’. What encouraged your return, collectively, to this project?

The White to be Angry

G) The PME cd was sponsored by our friend Mark Freitas , without him it wouldn’t have been recorded. He was the one who wanted to do it.

D) Steve Albini produced this record and then returned to produce your following album, ‘Cowboy Songs’, how did this partnership occur and do you plan to release any further material with Albini in future?

G)  I asked Steve if he would record my country band and he agreed. I would love to work with him again. He is very efficient and gets a  great sound. He works very fast too , plus he is very funny and sweet 

Glen 4

D) Thank you so much for your time today Glen, can you tell us, where is best to purchase your awesome music and merchandise? Where also, can we see you next and what upcoming projects do you have in the works?

G) You’re welcome Dis! The best way to purchase music is to write to me 225 s olive st #1607 LA CA 90012. no gigs as yet but we are always ready and able for any.

Glen

PSYCHO:DRAMA – B-MOVIE BIRTHDAY!

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4 Years!!! Can you believe it?! That’s 4 whole years of serving the alternative queer community in Bristol, with huge helpings of rock, punk, industrial, electro, queercore, riot grrrl, metal and more. It’s been crazy! We’ve seen performance art super sexy strippers doing what they do inside gigantic inflatable balloons, we’ve seen gladiators, electro insanity, punk rock rising stars and a whole hosts of gorgeous guys and gals from the Bristol Burlesque scene shaking their money makers for wonderful causes …as well as for sheer entertainment, oh yeah, and recently we had Vladimir putin beaten with nettles live on stage by a member of Pussy Riot… These things make us seriously smile!
To celebrate this milestone in PD history we welcome back the sensational, T-toe to our stage. This whacked out, dub-stepping, trombone tooting electronic wizard will have your fannys shaking and your feet freaking! Recently interviewed by ShoutOut and now a native of Bristol, make sure you grab him a pint after his set and tell him how much you love him, if you can tear us away from doing the same that is :o)
As you may have guessed, there is a theme here! B-MOVIE! That’s right, dress to distress darlings, it’s time to break out your best monster or your baby jane, bad-taste is best-taste for PD and prizes will be awarded to best (or worst) dressed!
So come, join the PsychoDrama crew as we celebrate 4 years of music, magic and mayhem at The Queen Shilling – 10pm til 4am £3 before 11, £4 after – money will be donated from this evening’s entertainment to a worthy cause TBA…
Be seein’ ya…
‘ONE OF US, ONE OF US…’

BBC and the Bristol Burlyfest 2013

As I’m sure you are all aware by now, I took part in the Bristol Burlesque festival final showcase at Smoke and Mirrors, performing my Gloomy Sunday routine.

It was a huge deal for me to perform here as well as to be booked and perform for the tremendous Cabaret Abattoir later in the month. I had an absolute blast and met/worked with some absolutely wonderful people during these shows and couldn’t have been more pleased with the resulting memories (and photos thanks to, Michael, Josie and TBP).

As part of a project focusing on Bristol life and culture a certain mister Barry Batchelor, took some shots of us outside the Smoke and Mirrors venue post performance and entered them into a competiton which won a motherfucking prize and ended up having myself, the gorgeous Tiger Tiger, Didi Curve, Honey and Jacque Bruxelle plastered all over the BBC!!!

Go have a gander!!!

http://www.bbc.co.uk/news/uk-england-bristol-24938327

Here’s another couple of the shots from the set, I live for this…

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Empress of the Midnight Mass, Devoid of Flaw, Actress, Director and Aaaaall About Evil. Talk Toxic presents… PEACHES CHRIST!

Cover Photo courtesy of Austin Young

 

Cult is a way of life, no one knows this better than Peaches Christ. Her Midnight Mass shows celebrate B-Movie culture and trash cinema, elevating symbols of camp excess to icon status.

Of course, the Peaches empire doesn’t stop with the decade long running MM series. After completing hysterical short films, Spin the Bottle and the infamous Tranilogy of Terror, Peaches began work on her feature film, All About Evil. A schlock horror classic boasting performances by B-Culture idols, Elvira and Mink Stole as well as Natasha Lyonne and Thomas Dekker. AAE has led Peaches on a TRANScontinental journey, converting theatre goers all over the world into neophytes of the PC doctrine, her Children of the Popcorn.

Come with me as we talk the meaning of success, Faye Dunaway, horror sequels and of course Disney World.

Ladies and gentlemen, I give to you, PEACHES CHRIST….

Photo courtesy of Jose Guzman Colon

Photo courtesy of Jose Guzman Colon

Dis) Cult film leader, film maker, production manager, horror hostess… you lead an incredibly varied and exciting career. How do you perceive your success?

Peaches) I guess I think of success as being linked to my level of happiness and it was always my big goal to be able to make a living doing what I love and even though I’m far from being rich, I am now able to pay my bills through Peaches events, filmmaking, and teaching.  I had a regular job running movie theaters all the way up to 2009 and I loved working in movie exhibition but it was an exciting leap to leave and be able to work for myself.  I’m grateful I’m in a position to do that and think of that as being successful, though I’d still love to have more of a financial cushion.  Basically, I’m tired of being poor.

D) and what’s next on the agenda; World domination, Skiing in aspen? Modelling for Westwood?

P) Next up is more large events in SF and hopefully more touring, as well as developing another feature film and a new TV project and then Disney World.  I love Walt Disney World. Anyway, there’s a current project in the pipe-line which is a sorta reality web show that follows myself, other performers, and crew around while we are preparing for one of our big events.  The working title is “Life Is A Drag”.  They are currently shooting our behind-the-scenes world leading up to the big Grey Gardens event we’re doing with Jinkx and Mink and the show should come out in early 2014.

D) Your feature film, ‘All About Evil’ has taken you on a transcontinental (Pun very much intended) journey, how have you
enjoyed the experience and did you expect the level of support the film received?

P) The whole All About Evil experience was a literal dream come true.  I’d always wanted to make a feature film and so to get to do it with a script I wrote and directed, while being able to work with my dream cast, and then go on a TRANScontinental tour with the movie doing shows in cities around the world was an absolute incredible experience.  I was living on “planet evil” for almost three years between getting ready to make the movie, making the movie, and then touring with the movie and I’ll always have super fond memories of the experience.  It’s the kind of movie that has a very specific audience of sick people who love dark humor.  It’s always flattering to hear someone is a fan of the movie.

D) Could you give us a couple of highlights from the AAE tour?

P) I adored our UK Premiere in Manchester, England where I was able to travel with some SF performers and collaborate with a giant group of British drag queens who dressed in monster-drag and performed with us.  The movie is about a librarian who murders people and there were even actors there disguised as librarians protesting outside the theatre saying things like “the only thing we kill is illiteracy!”  The protest was so effective that riot police were brought in!  And during the screening of the film that night someone vomited.  All in all, it was a perfect experience.  Another highlight was presenting the film at the legendary Alamo Drafthouse in Austin with stars Cassandra Peterson and Mink Stole.  My local ghoul friend Christeene helped produce the event and it was super fun and cool.  We all had a blast!

Photo c/o Jose Guzman Colon

Photo c/o Jose Guzman Colon

D) Midnight Mass has become an institution in S.F. How has the show evolved over the years?

P) We began the event in 1998 and it grew out of the Trannyshack world where I was a regular performer.  I just wanted to create an event that incorporated a drag show and cult movies and so we really just tried loads of different things over the years.  I was lucky enough to be in a position where I could get away with doing stuff I probably shouldn’t have, things that are probably even illegal.  . Drag queen roller-derby, mother / daughter mud wrestling and more were regular staples at our Midnight Mass events.  There were injuries.  It was debaucherous and crazy and the event just grew and grew over the years to the point where we outgrew the Bridge Theatre and now host our shows at the historic Castro Theatre movie palace.

D) Do you ever plan on touring ‘MM’ abroad?

P) We’ve actually recreated Midnight Mass in Belgium, Switzerland, and England and I’d love to do it again.  Of course it’s really expensive to do but if anyone out there overseas wants to bring me in, I’m up for it!

D) The Peaches Christ character blends classic showgirl glamour with rabidly colourful B-Movie culture to wonderful effect. How did you conceive the look and style of Peaches?

P) I grew up in Maryland and was so obviously influenced by the John Waters world of Dreamlanders and Divine.  My other huge drag influences were Frankenfurter and Elvira so when I was creating Peaches Christ I was really trying to pull from these worlds of cinematic icons, and mix them with some classics like Joan Crawford by way of Faye Dunaway.  I love lots of eye makeup and big brows obviously and in a sense I’ve always been comfortable with the idea that Peaches is essentially a really glamorous clown.

D) Your affection for b-movie culture has influenced every part of your career, what is it about this side of the counter-culture that inspires you to do what you do and occasionally even inspire your mother to do what you do?

P) I was always attracted to the world of b-movies and midnight movies and trashy VHS rentals. I consumed them as if it were my addiction.  I guess it all represented a sorta escape from regular life that I was looking for where people could be insane and colorful and deviant and that these things could be celebrated.  My mom has had a really long time to accept my strange interests and as Peaches evolved my mom was always really super supportive so when I invited her to perform with us the first time, it was fairly natural.  People loved seeing her up onstage with Heklina and I in Trannie Dearest.  I think the audience appreciated that level of parental support for what’s essentially a transgressive drag show.

D) You’ve worked with an incredible cast of characters from Squeaky Blonde and Elvira to Mink Stole, Vinsantos and Natasha Lyonne. Are there any more hits on the list for you, are we maybe to expect Faye Dunaway to co-star in a Peaches movie alongside and Heklina et al?

c/o Jose Guzman Colon

c/o Jose Guzman Colon

P) Faye Dunaway is the ULTIMATE on my list!  But I’m not going to hold my breath.  I would so love to do a celebration of Mommie Dearest with her and have her really embrace it with the true fans.  She’s brilliant in that film and deserves to be seen as such.  Of course I’d kill to do a Showgirls event with either Gina Gershon or Elizabeth Berkley.

D) Who would be your ultimate counter-culture icon to work with?

P) Hmmm, that’s a really tough question to answer, primarily because I don’t know if you mean counterculture in the traditional hippie sense or not.  I think if I were to think of someone in the more traditional way I’d say Yoko Ono.  And perhaps if it were in the more modern way I might be interested in doing a show with Marilyn Manson.  That could be really great.

D) One of the first films I saw of yours, following the ‘Spin the Bottle’ Madonna parody, was ‘Nightmare on Castro Street’ of your Tranilogy of Terror which I still love! Have you any plans to revisit the trilogy or prepare another selection of shorts featuring Ms. Blonde et al?

P) I’d love to do another collaboration with Squeaky!  She’s one of my first real drag sisters and she’s really who taught me how to do makeup- her and Putanesca.  Since making All About Evil I’ve done a couple of new shorts including “The Nomi Auditions” which we just made for our latest Showgirls event.  I love making movies so I think shorts will always be part of my world and another set of horror parodies is definitely something I’m thinking about.

Peaches c/o Marianne LaRochelle

Peaches c/o Marianne LaRochelle

D) Referenced in the aforementioned ‘Spin…’ short was your glittering music career spawning such hits as ‘Idol Worship’ and ‘Devoid of Flaw’ and who could forget the ‘Peaches is Gangsta’ record. When do we finally get the album we’ve all been waiting for?

P) Ha!  I don’t know if anyone is actually waiting on a PC album but I’m thrilled to hear it.  I work with this fantastic music producer Ric Ray who writes loads of songs for me and we’re talking about an album.  He’s also the Art Director on our big events.  It would be great to put out a collection of songs we’ve created for Peaches.  There are definitely more than enough for an album.

D) Many of your fans wait with baited breath for Martiny to step into the spotlight and shine, is there a talk show in the works, a scandalous book detailing years of abuse or perhaps a home cooking channel (dairy free of course) in the works for SF’s ‘Most tragic drag queen?’

Part of Martiny’s rabid fan base comes from the fact that she’s truly a drag-queen sidekick with no real aspirations to be in the spotlight.  I mean that truly is extraordinary.  What drag queen in her right mind turns down chance after to chance to be the star, but she does.  I make fun of Martiny for being the most flawed and tragic drag queen in all of San Francisco, but perhaps this was all part of her master plan to win the love of audiences by playing the underdog.  What a manipulative bitch.  Anyhow, for all you weirdos in love with Martiny you’ll be happy to know she’s co-starring in our upcoming 9 TO 5 event at the Castro Theatre on Nov. 23rd.  She’s playing “atta girl” Margaret, the alcoholic.  Troll girl is playing Roz, Heklina is playing the Lily character, Pandora Boxx is doing Dolly, and I’m doing the Jane character.  Should be loads of fun.

D) Drag culture has been witnessing a renaissance due in part to a number of different factors. How do you perceive the contemporary drag culture and what do you make of those coming up in the scene?

P) I think that while drag culture seems to be more popular and in a sense I guess it is, it’s still not mainstream and I’m glad it’s not.  I hope it stays that way.  Drag fans are special and TV and the internet have really helped deliver drag queens to more homes and computers and there’s a real big pool of new talent, and fans are hungrier and more rabid for their queens than I’ve seen in the past but in the same way that they’ve been packaged and delivered, it’s also seeming like they’re quickly being left behind when a new crop rolls onto the screen.  I think queens still have to work hard to stay fresh and relevant and be entertaining and create their own longevity.  Drag Race and internet stardom will certainly help a queen make a big splash, but in order to still be around in ten years she’s going to have to fight hard for it.  I’m a fan of so many of the new up and coming queens and am glad I’m in a position to work with so many of them through the events I produce.

D) Did you ever think that after donning the maquillage for the first time, that drag would take you on the journey it has done?

P) No, never.  It’s hilarious and extraordinary to me when I think back on how clueless I was about what was going to evolve.

D) Finally, what can we plug? Where do we buy ‘All About Evil’, your latest records, tickets for your shows and of courses special one of a kind merchandise branded with your fierce-some visage?

P) All my stuff can be found on peacheschrist.com.  Grab your tickets to our upcoming Grey Gardens show with Jinkx Monsoon and Mink Stole in SF on October 12th.  Or 9 TO 5 on Nov. 23rd, and Trannyshack Halloween on October 25th.  

Bloody bunches of thanks to Peaches Christ for agreeing to this interview! I CANNOT WAIT for the second instalment in her feature film making endeavours! Ensure that you grab your copy of All About Evil as well as all of your Peaches Christ memorabilia and merchandise NOW from http://www.peacheschrist.com

Bile and Bruises

Dis Charge

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You’ve heard from The Wasp Women, now it’s the turn of the Maggot Men! Talking Toxic Presents, an interview with Gregory Langston!

Today marks the anniversary of my fist ever post on Talk Toxic! A whole year has passed and in that time I’ve been fortunate enough to be involved in two fashion film projects for Jed Phoenix of London, multiple amazing events with the fabulous Psycho:Drama crew and of course… A whole bunch of incredible interviews with luminaries of outsider drag, burlesque performance and electro homo solo musicians!

To commemorate this fact I have the great fortune to release the latest instalment of Talking Toxic – this time, with the wonderful Gregory Langston, former member of the Wasp Women’s backing band! The wonderful Greg has been involved with the S.F. punk scene since the early eighties and continues to play within a number of brilliant groups.

Read on as we piece together the history of the Wasp Women, talk post-punk and new-wave as well as the infamous, ‘Whatever Happened to Susan Jane’…

The Maggot Men and one Queen, courtesy of Wendy Mukluk

The Maggot Men and one Queen, courtesy of Wendy Mukluk

Dis) As part of the Wasp Women backing band, jokingly referred to as, ‘The Maggot Men’ – what was your role and how did you become involved with the group?

Greg) I was the drummer for the Wasp Women. Some time in 1979, I joined a band called the Touchtones. I was interested in the experimental side of Punk/New wave, and they fit the bill. After a short Time Guitarist Jan spoke of seeing the weirdest wildest band ever. I did not know that Teena one of our three Keyboard/ synth players was one of them! Touchtones practices morphed into Wasp Women practices as well.Teena as well as Walter Black shared both bands. We often Played on the same bills together, often at the famed Mabuhay Gardens, just seconds down Broadway from our practice space. The Wasp Women’s songs got me to explore the heavier, hard rocking side to my playing. I am more well suited to this style of playing.

Last ever performance of the Wasp Women

Last ever performance of the Wasp Women

D) The Wasp Women really stood out from the pack and still do! The band was so unique, what was it about the WW that made them so special?

G) The Wasp women were unique for a couple of reasons. First, visually. Three women, (one was a man in drag), dressed in tight black dresses and extreme make-up and large white bee hive wigs. At a time of musical and sexual freedom, the time was right and the doors were open to the new and extreme. Second, Musically. The band freely mixed styles and used several influences. What pulled it all together was the front line, the singers.

D) Of surviving documents, Marc Huestis’ film ‘…Susan Jane’ is the most famous. How involved with that project were you and what was filming like?

G) “What ever happened to Susan Jane” turned out to be far bigger than I expected. We were being booked into several venues with regularity, and each show seemed to be a real production. I knew this was a special show, and filming was happening, but it really turned out to be a whole lot more than just another show. We were called back to record some songs for the film, but I can’t remember how much was actually caught on tape.

the Wasp Women at the Castro Fair 1979 c/o Wendy Mukluk

the Wasp Women at the Castro Fair 1979 c/o Wendy Mukluk

D) Recently, Dark Entries Records released a re-mastered version of the song ‘Kill Me!’ – but what many of us want to know is… Does the album named in the film or an EP exist and if so, when can we hear it?

G) Sadly, what was announced in the movie was only part of the script. Not many recordings of the band exist, and those that do, are poor quality practice tapes. We recorded Lou Reed’s “Vicious”, in the studio. Teena is the only singer on that one. It came out on an obscure CD compilation a few years ago, “best of the Mabuhay”

D) Recently I spoke with Teena regarding her involvement with the group, looking back, how do you feel about the SF scene at that time?

G) The SF scene at the time was great! It was a time of great creativity, Ten years of musical progression in two! With the early underground SF punk/ new wave /experimental scene, we all supported each other in a way that was not compartmentalized. It quickly changed.

D) Of course, you were also a member of Tuxedo Moon and of the Vibrant S.F. post-punk scene. Which of these projects are you most proud of and are you still in contact with many of your collaborators from those days?

G) Surprisingly, I am in contact with many people from that time period. I briefly was with Tuxedomoon before the Wasp women and I spent a little time with Winston Tong last weekend. I have been In contact with Blaine too. Since I have been regularly playing drums and recording for almost thirty five years, I am in contact with many musicians from the past. Way too many to mention!! Other than previously mentioned, I have played with No Alternative, the Sea Hags, Fang, Fade to Black, The Renegades (Wire Train), Hellbillys, Offs, Insaints, The Next, Bryan Gregory’s Beast to name a few…. Oh, there are others too!

c/o Wendy Mukluk

c/o Wendy Mukluk

D) Returning to the Wasp Women, I’d like to clarify a bit of the timeline – how long did the group last? I’ve heard it was just over a year before you ceased activity with the group, why did you guys stop?

G) Yes, a year sounds about right. I don’t remember why we split. I jumped right into No Alternative after the Wasp Women.

D) Yourself and Teena worked on a few projects following the bands demise, is there much surviving from these projects and what were they called?

G) Yes! I still regularly play with No Alternative. The Offs, and the Next. I do reunion shows with a couple of others from time to time.

c/o Dark Entries records - Greg on Drums with the official Wasp Women line-up

c/o Dark Entries records – Greg on Drums with the official Wasp Women line-up

D) I know you have quite an archive built up – is there any plan to release this material?

G) Interestingly enough, much has already been released or is not quite the quality it could have been to make it outstanding. If anyone shows interest, I try and accommodate them in any way I can. Luckily, my band history has not been lost, stolen or misplaced.

D) Which projects are you currently working on and what would you like to plug?

G) I recorded an LP with the Next about a year ago. the songs all date from 1978-80. This is one of the best punky albums I have ever recorded, but the interest and the music industry have changed so much, that nobody is hearing it! The musicians all have so much talent and history, but we are not so young and cute any more. We have It all together, artwork and all, yet it remains unreleased.

A massive thank you to Greg for taking the time to Talk Toxic with me today! This helps piece together a part of The Wasp Women history and uncover another vibrant aspect of the SF punk/alternative scene. Make sure you continue to support Greg and his phenomenal musical output by going to see No Alternative live and buy all of their merchandise! Also, head over to Dark Entries records and grab yourself a copy of Bay Area Retrograde featuring the WW whilst you can, here: http://www.darkentriesrecords.com/